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NFT: Asylum Plague Rat - COMING SOON


The painting Asylum Plague Rat by Emilie Autumn first appeared in the original illustrated edition of her best-selling gothic novel, The Asylum for Wayward Victorian Girls. This item is a multimedia video containing an animated version of the painting set to music.

The buyer will also receive a signed and numbered limited edition 12 x 17 giclee print of this painting and a personalized voice message from Emilie, as well as the full resolution .mov file to download and display.

This painting is one in a series of artworks depicting the rats, leeches, and other creatures infesting the Asylum. Follow Emilie on IG at @emilieautumnofficial to know about the latest releases.

NFT: Asylum Plague Rat
File Type: MP4 Movie
File Size: 79.8 MB Image Size: 1378 x 1920 Duration: 1:21
Music: "4 o'Clock Reprise" from the The Asylum for Wayward Victorian Girls musical composed and performed by Emilie Autumn.

A portion of proceeds from the sale of this work will be donated to NAMI (the National Alliance on Mental Illness). The remainder of proceeds will fund the production of the Broadway-bound musical, The Asylum for Wayward Victorian Girls. Thus, when you purchase this NFT, you are directly helping to fund the theatre arts, as well as contributing to potentially life-saving mental health services.

About the Asylum:

The Asylum for Wayward Victorian Girls is a new virtual world based upon bipolar musician/author/performer/artist/composer Emilie Autumn’s best-selling historical fantasy novel of the same name, as well as the albums and international concert tours that the story spawned. The novel was originally written in red crayon during Emilie's incarceration in a maximum security psych ward following a suicide attempt, and her discovery of an alternate reality in 19th century England that mirrored her own experiences. The Asylum story both addresses mental health issues and champions the empowerment of women overthrowing the patriarchy and working together toward an enlightened society.

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